As ancient clay creations face the threat of modernity, there is a need to revive and cherish the rich cultural heritage of Kashmiri artisans.
In Kashmir, there is a craft as ancient as the valley itself—pottery. This beautiful, time-honoured art has woven itself into the cultural fabric of Kashmir for centuries, yet today, it stands on the edge of extinction. As the son of a potter, I have witnessed first-hand the dedication, artistry, and hard work poured into each clay creation, but I also feel the weight of uncertainty that hangs over its future.
Pottery is more than just an occupation for the artisans of Kashmir. It is a labour of love, passed down through generations, a connection between the earth and the hands that mould it. Each piece, whether a simple water pot or a delicate vase, tells a story of heritage, patience, and skill. The process begins with the gathering of local clay, which is carefully shaped, dried, and fired in kilns, often using traditional methods unchanged for centuries. The result is a work of art that carries the essence of Kashmir’s soil and soul.
But despite the beauty and cultural significance of this craft, pottery in Kashmir is slowly being forgotten. The rise of plastic and metal products has dealt a heavy blow to the potters who once thrived, and the lack of governmental support has only worsened the situation. Baramulla, a once-thriving hub of pottery, now sees fewer artisans practising this remarkable craft. Without intervention, we risk losing not only an art form but a vital piece of Kashmir’s identity.
The benefits of using earthen pots, especially those made from the rich, natural clay of Kashmir, are numerous. Earthenware is known for its health benefits—clay pots enhance the flavour of food, maintain its nutritional value, and naturally keep water cool. These environmentally friendly products are also biodegradable, making them a sustainable alternative to the harmful plastic products that flood our markets today. Yet, despite these advantages, the modern consumer often overlooks these handmade treasures, opting for cheaper, mass-produced alternatives.
The decline of pottery is not due to a lack of talent or passion among the artisans. The potters of Baramulla, and indeed across Kashmir, continue to work tirelessly, often under harsh conditions, to create these masterpieces. However, without proper support, their livelihoods are at risk. It is imperative that the government steps in to preserve this endangered craft. By providing financial assistance, organizing exhibitions, and promoting pottery as part of Kashmir’s cultural tourism, we can help revive this dying art and give potters the recognition they deserve.
Pottery is more than just an art—it is a symbol of resilience, of survival against the odds, and of a connection between the land and its people. To let this craft disappear would be to erase a part of Kashmir’s history. It is time for all of us—government, consumers, and society—to come together and ensure that the legacy of pottery not only survives but thrives once again in the valley.
Let us take pride in this heritage and recognize the artistry behind every clay pot and vase. Pottery may be a dying art, but with the right support and awareness, it can once again shine as one of Kashmir’s most cherished traditions.
By Zubair Ahmad Kumar